Fender Tone Master Pro cheat sheet

What the knobs do — knob sweeps

One control varied at a time, everything else at default. Gain column: THD % (and output dBFS) for a −36 dBFS 220 Hz input at 0 / 5 / 10. Tone columns: frequency of the largest change between 0 and 10, and its size.

head (55)

model	gain control: THD (out) at 0 / 5 / 10	tone controls: max change
UK30 Brilliant	`volume`: 0% (-81) / 0% (-36) / 18% (-23)	`treble` -11 dB @ 403 Hz; `bass` +19 dB @ 40 Hz
UK30 Normal	`volume`: 1% (-120) / 0% (-43) / 7% (-25)	—
Acoustasonic	`gain`: 0% (-240) / 0% (-42) / 0% (-36)	`bass` +20 dB @ 45 Hz; `mid` +16 dB @ 1076 Hz; `treb` +18 dB @ 11494 Hz
‘66 Flip-Top	`volume`: 0% (-60) / 0% (-39) / 0% (-20)	`bass` +20 dB @ 40 Hz; `mid` +23 dB @ 302 Hz; `treb` +61 dB @ 11494 Hz
Forge 100	`gain`: 28% (-124) / 5% (-28) / 12% (-26)	`bass` +16 dB @ 40 Hz; `mid` +20 dB @ 761 Hz; `treb` +11 dB @ 9665 Hz; `presence` +10 dB @ 10240 Hz
Bassbreaker Low	`gain`: 0% (-72) / 0% (-42) / 0% (-26)	`bass` +33 dB @ 40 Hz; `mid` +15 dB @ 761 Hz; `treb` +31 dB @ 10240 Hz
Bassbreaker High	`gain`: 0% (-61) / 7% (-22) / 19% (-22)	`bass` +28 dB @ 40 Hz; `mid` +7 dB @ 678 Hz; `treb` +26 dB @ 11494 Hz
Bassbreaker Med	`gain`: 0% (-80) / 0% (-38) / 6% (-23)	`bass` +31 dB @ 40 Hz; `mid` +9 dB @ 718 Hz; `treb` +29 dB @ 10849 Hz
Blues Junior	`gain`: 0% (-85) / 0% (-41) / 1% (-25)	`bass` +16 dB @ 40 Hz; `mid` +9 dB @ 508 Hz; `treb` +8 dB @ 2416 Hz
Blues Junior LTD	`gain`: 0% (-83) / 0% (-39) / 1% (-24)	`bass` +16 dB @ 40 Hz; `mid` +9 dB @ 570 Hz; `treb` +8 dB @ 2416 Hz
‘65 Deluxe Reverb Blonde NBC (Amp Only)	`volume`: 0% (-102) / 1% (-34) / 8% (-23)	`bass` +18 dB @ 40 Hz; `treb` +18 dB @ 11494 Hz
‘65 Deluxe Reverb (Amp Only)	`gain`: 0% (-100) / 1% (-33) / 8% (-22)	`bass` +18 dB @ 40 Hz; `treb` +15 dB @ 2712 Hz
‘68 Custom Deluxe Reverb (Amp Only)	`volume`: 0% (-99) / 1% (-34) / 15% (-23)	`bass` +20 dB @ 40 Hz; `treb` +19 dB @ 11494 Hz
Petrol	`gain`: 0% (-116) / 3% (-27) / 16% (-21)	`bass` +17 dB @ 40 Hz; `middle` +9 dB @ 905 Hz; `treble` +11 dB @ 11494 Hz; `presence` +12 dB @ 11494 Hz
Double Wreck	`gain`: 0% (-240) / 2% (-38) / 25% (-26)	`presence` +9 dB @ 10849 Hz; `bass` +19 dB @ 40 Hz; `mid` +6 dB @ 480 Hz; `treb` +18 dB @ 11494 Hz
EVH 5150 IIIS 6L6 Blue	`gain`: 0% (-65) / 12% (-22) / 13% (-22)	`bass` +11 dB @ 40 Hz; `mid` +10 dB @ 854 Hz; `treb` +11 dB @ 11494 Hz; `presence` +5 dB @ 5424 Hz
EVH 5150 IIIS 6L6 Green	`gain`: 0% (-68) / 3% (-28) / 23% (-25)	`bass` +11 dB @ 40 Hz; `mid` +9 dB @ 480 Hz; `treb` +10 dB @ 11494 Hz; `presence` +1 dB @ 452 Hz
EVH 5150 IIIS 6L6 Red	`gain`: 0% (-61) / 17% (-25) / 18% (-25)	`bass` +16 dB @ 40 Hz; `mid` +10 dB @ 854 Hz; `treb` +12 dB @ 11494 Hz; `presence` +15 dB @ 10849 Hz
Rock-Bottom 400	`volume`: 0% (-240) / 0% (-52) / 1% (-36)	`bass` +21 dB @ 40 Hz; `treb` +34 dB @ 11494 Hz
Hiway 105	`normalvolume`: 0% (-112) / 0% (-46) / 4% (-26)	`bass` +26 dB @ 40 Hz; `treble` -6 dB @ 269 Hz; `middle` +12 dB @ 570 Hz; `presence` +6 dB @ 11494 Hz
EVH 5150 III 6L6 Blue	`gain`: 0% (-113) / 30% (-25) / 33% (-24)	`mid` +11 dB @ 678 Hz; `presence` +13 dB @ 11494 Hz
EVH 5150 III 6L6 Green	`gain`: 41% (-142) / 0% (-45) / 1% (-38)	`mid` +14 dB @ 604 Hz; `presence` +9 dB @ 11494 Hz
EVH 5150 III 6L6 Red	`gain`: 0% (-93) / 25% (-23) / 25% (-23)	`mid` +8 dB @ 718 Hz; `presence` +16 dB @ 11494 Hz
JC Clean	`gain`: 0% (-74) / 0% (-44) / 0% (-36)	`treb` +25 dB @ 11494 Hz; `mid` +14 dB @ 452 Hz; `bass` +20 dB @ 40 Hz
British 800	`mastervolume`: 4% (-105) / 5% (-39) / 9% (-20)	`presence` +6 dB @ 11494 Hz; `bass` +12 dB @ 40 Hz; `mid` +9 dB @ 905 Hz; `treb` +16 dB @ 11494 Hz
British 45	`brightvolume`: 5% (-41) / 7% (-38) / 8% (-29)	`treble` +11 dB @ 6834 Hz; `bass` +11 dB @ 40 Hz; `middle` +13 dB @ 905 Hz; `presence` +15 dB @ 4833 Hz
Brit Breaker	`brightvolume`: 4% (-43) / 6% (-39) / 9% (-29)	`treble` +11 dB @ 11494 Hz; `middle` +15 dB @ 854 Hz; `bass` +12 dB @ 40 Hz; `presence` +10 dB @ 4833 Hz
British Jubilee Clean	`gain`: 0% (-92) / 3% (-44) / 3% (-35)	`bass` +26 dB @ 40 Hz; `mid` +18 dB @ 1140 Hz; `treb` +12 dB @ 11494 Hz; `presence` +8 dB @ 9665 Hz
British Jubilee Rhythm	`gain`: 0% (-87) / 3% (-38) / 10% (-32)	`bass` +25 dB @ 40 Hz; `mid` +4 dB @ 1140 Hz; `treb` +14 dB @ 11494 Hz; `presence` +8 dB @ 5747 Hz
British Jubilee Lead	`gain`: 0% (-79) / 7% (-30) / 18% (-27)	`bass` +26 dB @ 40 Hz; `mid` +12 dB @ 854 Hz; `treb` +12 dB @ 11494 Hz; `presence` +8 dB @ 11494 Hz
Marksman Ch1	`gain`: 20% (-133) / 0% (-39) / 0% (-33)	`bass` +23 dB @ 40 Hz; `mid` +22 dB @ 1810 Hz; `treb` +26 dB @ 11494 Hz; `presence` +5 dB @ 1208 Hz
Marksman Ch2	`gain`: 0% (-76) / 4% (-25) / 17% (-24)	`bass` -7 dB @ 160 Hz; `mid` +3 dB @ 40 Hz; `treb` +63 dB @ 11494 Hz; `presence` +4 dB @ 718 Hz
British Plexi	`volume1`: 1% (-49) / 2% (-44) / 4% (-28)	`treble` +12 dB @ 11494 Hz; `bass` +17 dB @ 40 Hz; `middle` +2 dB @ 40 Hz; `presence` +7 dB @ 53 Hz
Tangerine RV53	`gain`: 98% (-145) / 1% (-33) / 38% (-25)	`treble` +7 dB @ 11494 Hz; `mid` +8 dB @ 570 Hz; `bass` +9 dB @ 40 Hz
‘62 Princeton	`volume`: 0% (-117) / 1% (-43) / 2% (-31)	`tone` +26 dB @ 11494 Hz
‘65 Princeton Reverb (Amp Only)	`volume`: 23% (-137) / 0% (-33) / 2% (-21)	`bass` +17 dB @ 40 Hz; `treb` +13 dB @ 2153 Hz
‘68 Custom Princeton Reverb (Amp Only)	`volume`: 0% (-108) / 3% (-24) / 20% (-20)	`bass` +10 dB @ 40 Hz; `treb` +9 dB @ 2874 Hz
SWR Redhead	`gain`: 3% (-87) / 0% (-56) / 0% (-46)	`bass` +32 dB @ 67 Hz; `mid` +42 dB @ 570 Hz; `treb` +37 dB @ 11494 Hz
Solo 100 Overdrive	`gain`: 0% (-74) / 30% (-26) / 41% (-26)	`bass` +10 dB @ 40 Hz; `mid` +4 dB @ 640 Hz; `treb` +16 dB @ 11494 Hz; `presence` +14 dB @ 11494 Hz
Rampage Blueline	`volume`: 0% (-90) / 0% (-41) / 0% (-30)	`bass` +29 dB @ 67 Hz; `mid` +27 dB @ 806 Hz; `treb` +28 dB @ 3836 Hz
Studio Preamp	`gain`: 0% (-240) / 0% (-42) / 0% (-36)	`bass` +20 dB @ 40 Hz; `mid` +16 dB @ 1076 Hz; `treb` +18 dB @ 11494 Hz
Tube Preamp	`gain`: 0% (-240) / 0% (-42) / 0% (-32)	`bass` +30 dB @ 80 Hz; `mid` +30 dB @ 2032 Hz; `treb` +30 dB @ 4064 Hz
Super Bassman Overdrive	`gain`: 0% (-44) / 0% (-36) / 3% (-32)	`bass` +30 dB @ 85 Hz; `mid` +31 dB @ 214 Hz; `treb` +30 dB @ 11494 Hz
Super Bassman Vintage	`gain`: 0% (-67) / 0% (-38) / 0% (-27)	`bass` +11 dB @ 40 Hz; `mid` +21 dB @ 480 Hz; `treb` +13 dB @ 10849 Hz
‘59 Bassman	`brightvolume`: 0% (-64) / 4% (-41) / 5% (-32)	`treble` +9 dB @ 11494 Hz; `bass` +7 dB @ 40 Hz; `middle` +16 dB @ 761 Hz; `presence` +5 dB @ 854 Hz
Bassman TV	`gain`: 0% (-240) / 0% (-47) / 0% (-37)	`bass` +13 dB @ 40 Hz; `mid` +15 dB @ 761 Hz; `treb` +15 dB @ 11494 Hz
‘57 Champ	`volume`: 0% (-120) / 2% (-36) / 1% (-30)	—
‘59 Bassman Custom	`brightvolume`: 1% (-60) / 3% (-42) / 5% (-34)	`treble` +8 dB @ 11494 Hz; `bass` +6 dB @ 40 Hz; `middle` +13 dB @ 678 Hz; `presence` +7 dB @ 678 Hz
Rumble 800	`gain`: 0% (-51) / 0% (-42) / 0% (-34)	`bass` +29 dB @ 71 Hz; `treb` +20 dB @ 4064 Hz
‘65 Super Reverb (Amp Only)	`gain`: 0% (-104) / 2% (-41) / 4% (-24)	`bass` +22 dB @ 40 Hz; `mid` +6 dB @ 57 Hz; `treb` +19 dB @ 11494 Hz
‘57 Deluxe	`instvolume`: 2% (-43) / 2% (-35) / 4% (-29)	`tone` +31 dB @ 11494 Hz
‘65 Twin Reverb Blonde (Amp Only)	`gain`: 0% (-106) / 1% (-40) / 2% (-26)	`bass` +32 dB @ 40 Hz; `mid` +12 dB @ 604 Hz; `treb` +33 dB @ 11494 Hz
‘65 Twin Reverb (Amp Only)	`gain`: 0% (-107) / 0% (-41) / 2% (-27)	`bass` +32 dB @ 40 Hz; `mid` +11 dB @ 604 Hz; `treb` +24 dB @ 2874 Hz
Uber	`gain`: 0% (-63) / 30% (-26) / 33% (-26)	`bass` +13 dB @ 40 Hz; `mid` +13 dB @ 7241 Hz; `treb` +21 dB @ 1356 Hz; `presence` +12 dB @ 60 Hz
Vibro-King	`gain`: 0% (-65) / 1% (-35) / 5% (-29)	`bass` +12 dB @ 40 Hz; `mid` +13 dB @ 1076 Hz; `treb` -9 dB @ 380 Hz

stompbox (33)

model	gain control: THD (out) at 0 / 5 / 10	tone controls: max change
Big Apple Fuzz	`gain`: 6% (-35) / 24% (-27) / 27% (-26)	`tone` +23 dB @ 11494 Hz
Blues Maker	`gain`: 0% (-44) / 0% (-42) / 2% (-21)	`tone` +27 dB @ 11494 Hz
Sapphire Drive	`gain`: 1% (-38) / 2% (-21) / 24% (-9)	`tone` +25 dB @ 11494 Hz
Runes	`gain`: 6% (-35) / 26% (-25) / 32% (-23)	`tone` +23 dB @ 3044 Hz
Orangebox	`distortion`: 1% (-34) / 1% (-32) / 18% (-27)	`tone` +31 dB @ 11494 Hz
Hard-Clip Distortion	`distortion`: 2% (-54) / 10% (-38) / 20% (-34)	—
XO Boost	`gain`: 0% (-42) / 0% (-33) / 0% (-29)	—
Round Fuzz - Germanium	`gain`: 5% (-50) / 12% (-25) / 37% (-20)	—
Big Green Fuzz	`gain`: 14% (-35) / 33% (-30) / 36% (-29)	`tone` +16 dB @ 11494 Hz
Greenbox 10	`drive`: 0% (-43) / 4% (-35) / 11% (-29)	`tone` +16 dB @ 5747 Hz
Rocket Man	`drive`: 1% (-41) / 5% (-16) / 16% (-14)	`treble` +27 dB @ 11494 Hz
Royal Tone	`gain`: 0% (-52) / 0% (-44) / 0% (-28)	`tone` +28 dB @ 11494 Hz
Mythic Drive II	`gain`: 0% (-42) / 0% (-34) / 3% (-21)	`treble` +24 dB @ 11494 Hz
Lightyear	`drive`: 0% (-60) / 0% (-46) / 1% (-36)	—
Bass Overdrive	`drive`: 0% (-51) / 2% (-44) / 13% (-34)	`bass` +18 dB @ 40 Hz; `treb` +37 dB @ 2153 Hz
Mythic Drive	`gain`: 0% (-52) / 0% (-40) / 0% (-36)	`treble` +25 dB @ 11494 Hz
Nashville Overdrive	`drive`: 0% (-57) / 3% (-32) / 19% (-28)	—
Comic Sans Drive	`drive`: 0% (-43) / 2% (-24) / 14% (-16)	`tone` +19 dB @ 11494 Hz
Octave Fuzz	`fuzz`: 0% (-240) / 351% (-29) / 386% (-28)	—
Maximus Drive	`midgain`: 3% (-30) / 9% (-27) / 25% (-24)	`presence` +24 dB @ 5120 Hz
Pinions	`gain`: 1% (-42) / 6% (-34) / 25% (-25)	`tone` +22 dB @ 2560 Hz
Pugilist Distortion	`gaina`: 9% (-29) / 8% (-27) / 8% (-24)	—
Big Horn Fuzz	`gain`: 7% (-37) / 17% (-31) / 22% (-30)	`tone` +26 dB @ 11494 Hz
Rodent	`distortion`: 1% (-58) / 13% (-31) / 40% (-27)	—
Rockbox 100	`inputgain`: 0% (-52) / 0% (-43) / 0% (-40)	—
Round Fuzz - Silicon	`gain`: 0% (-240) / 33% (-30) / 40% (-30)	—
Super Drive	`drive`: 0% (-50) / 9% (-31) / 11% (-29)	`tone` +18 dB @ 4064 Hz
Integrator Boost	—	`treble` +31 dB @ 10240 Hz; `bass` +35 dB @ 40 Hz
Enchanter	`gain`: 0% (-50) / 0% (-37) / 0% (-22)	`bass` +15 dB @ 107 Hz; `treble` +27 dB @ 11494 Hz
Tube OD	`tubedrive`: 1% (-60) / 24% (-33) / 36% (-29)	—
Greenbox 8	`overdrive`: 1% (-42) / 2% (-36) / 10% (-29)	`tone` +16 dB @ 4305 Hz
Vari Fuzz	`gain`: 0% (-240) / 10% (-50) / 19% (-32)	—
Namaste Drive	`gain`: 0% (-50) / 8% (-23) / 13% (-19)	`tone` +14 dB @ 11494 Hz

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